O GUIA DEFINITIVO PARA LO-FI CAFE

O guia definitivo para lo-fi cafe

O guia definitivo para lo-fi cafe

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When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion.

This video was posted to the jacknjellify X on October 13, 2020. In the video, Four is seen "pogging" (referencing the Twitch emote PogChamp) with Jonkie at x5 speed playing in the background. The background consists of white mathematical symbols such as a plus sign.

It aims to create a relaxed and groovy ambiance, often used as background music for studying or unwinding. Things that set it aside from original Lo-fi Hip Hop can be contemporary drum patterns and a mix of vintage and new school instruments.

The microphone tips over, with clapping heard. The camera pans to reveal that Ruby was clapping and smiling, but then slowly stops with a blank look on her face. The members of the Have Cots are also members of the audience.

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The title of the video and the visual appearance of Donut's section are a reference to the livestream "lofi hip hop radio - beats to relax/study to", which plays a playlist of lo-fi chill music over a looped animation.

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In the context of music, it corresponds to a specific pitch or tone. The hertz unit measures the number of cycles or vibrations per second, indicating how frequently the sound wave oscillates. In this case, 520 Hz represents the frequency of a sound wave with 520 cycles per second. It's heard that 520-hertz vibration can repair DNA.

While this has multiple scenes from BFB, it also has a few minor and quick special scenes made directly for this video, such as the stinger where an Music Lo-Fi unknown 3D graphic is displayed.

An edited scene from "The Escape from Four" is seen, but this time Pencil is listening to music through earphones while putting her leg on the table, Firey Jr. is noticeably bored.

Manipulate the sample to match the tempo and key of your track, then layer it over your drum beat. There is a lot that goes into sampling in beatmaking so it will take a while before you get the hang of it. You can read more about sampling in music here.

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